EVE
PRIME FOUT'S NEW BRONZE FOX SAFEGUARDS THE LIBRARY
by Lisa Campbell, Associate Librarian
As
a visitor approached the entrance to the National Sporting Library,
a poised shape on the stone wall caught her eye. It's a fox! Stalking
its prey; ready to pounce on a hapless morsel.
The
startled visitor turned, eyed the fox more closely and realized
that it was not a living breathing fox but a beautiful bronze
- the latest addition to the National Sporting Library.
Eve
Fout, known to the art community as Eve Prime, donated the near
life-size fox last month. The Fox is a superb piece inspired by
a pen and ink drawing. Eve first sculpted the fox in clay. Her
clay figure was then cast in the bronze form using the "lost
wax" process at The Equestrian Forge in Leesburg, Va. She
applied the final subtle color to the fox.
Two
other bronzes by Eve are exhibited within the Library. "The
Chaser" is a steeplechase horse and its rider flying a fence.
A small fox, leaping for a flushed quail, graces the Founders'
Room. Eve, of The Plains, Va., spent most of her career as a professional
artist painting fine oil portraits of horses, hounds and regional
wildlife. Her affinity for animals and involvement in horse and
field sports, gives accuracy and depth to her work. But a few
years ago, she switched to creating bronze sculptures. "I
started sculpture six years ago when my eyes began to change.
I find it very rewarding to work with my hands," she said.
Eve
is best known in the equestrian community for her outstanding
achievements as a teacher of horsemanship, a supporter of foxhunting
and steeplechase racing, and as a proactive land preservationist.
But she established herself initially as a talented sporting artist.
Born
in New York, she grew up in Virginia hunt country following the
hounds of Orange County Hunt since her teen years. Eve loved her
horses but believed art was her vocational calling.
"Mom
said she didn't care what I did as long as I could make my own
way," recalled Eve.
She
returned to New York to begin her formal art education as a young
adult at the Three Arts Club. But as she told The Chronicle
of the Horse, when her sculpture, "A Steeplechaser,"
ran on the front cover: "In equine art, you must learn more
than what is offered at fine institutions like the Art Students
League. There is no substitution for working under the people
who do it, and I've found horse artists to be very generous in
sharing their knowledge."
Never
one to do anything second rate, Eve sought out the best in the
field of sporting art to learn her craft. She traveled to Long
Island to study with Paul Brown at his home. Brown (1893-1958)
was perhaps the most prominent illustrator of books on horses
over twenty-five years. His precise drawings appear in over 130
fiction and non-fiction books on horses, steeplechase racing,
horsemanship, polo, and foxhunting for adults and children alike.
Eve
apprenticed in painting with Richard Stone Reeves in New Jersey.
A highly respected painter of Thoroughbred portraits, Reeves has
captured the beauty of Citation, Kelso, Secretariat, Native Dancer
and many more.
She
commuted to Maryland to learn more from Franklin B. Voss (1880-1953),
a famed sporting artist who painted over 500 private commissions.
Another Maryland sporting artist to further Eve's training was
Else Tuckerman Biays who studied art at The George Washington
University and Corcoran School of Art. She also spent time with
Jean Bowman, a distinguished equestrian artist who was commissioned
to paint several horses over the years from champion steeplechase
horses to field hunters.
Eve
deeply appreciated these artists' willingness to help her. She
said, "Frank Voss and the others were very generous. They
were always willing to help young people."
With
a keen understanding of her subjects, Eve's work moved to the
forefront early. At the age of 21, one of her first commissioned
paintings, "Irish Luck, A Hunting Hunter Sire" was published
on the cover of The Chronicle of the Horse. Irish Luck,
a Thoroughbred stallion and field hunter, belonged to Albert P.
Hinckley, MFH of Old Dominion Hounds (Va.). Eve produced an image
of quiet communication with the bridled Irish Luck standing in
an open Virginia field with two foxhounds facing him, patiently
waiting. To date, her artwork, either oil paintings or sculpture,
has graced The Chronicle's cover twenty times.
Her
career launched, over the next several decades she painted portraits
of famed steeplechase horses, hounds, hunters and other beloved
creatures. "Most people would rather have their horse or
dog painted than their wife," she noted.
When
she married Paul Fout, the duo became a force in the steeplechase
and foxhunting community. Paul has trained numerous top horses
in both flat and jump racing. Life's Illusion, owned by Virginia
Guest and trained by Paul, was the first filly or mare to be recognized
as Steeplechase Horse of the Year in 1975. Most recently, Paul
saddled Colstar who earned acclaim in 2000 as a multiple-graded
stakes winner on the flat.
In
1964, Eve made her mark in steeplechasing when her bay gelding
Moon Rock won the thirty-ninth running of the Virginia Gold Cup.
She was the first woman trainer in the history of the race to
saddle the winner.
But
Eve is perhaps best known for her contributions to young people
in the community. Inspired by the generosity of mentors in her
youth, Eve has returned the favor to untold numbers of blossoming
artists and equestrians.
She
began right at home with her children Doug, Nina and Virginia.
Doug has found great success like his father riding and training
steeplechase horses. Nina has a keen interest in sporting art.
She rides in point-to-point races and in recent years, she began
riding in combined training events. Riding her father's ex-steeplechase
horse, 3 Magic Beans, she helped earn the 2000 Olympic Team Bronze
in the Three-Day Event Competition. Virginia rides the family
horses when she visits from Los Angeles.
Eve
organized the Middleburg-Orange County Pony Club in 1959 to teach
young riders good horsemanship. To encourage children to learn
the joys of foxhunting, she organized the M.O.C Beagles in 1961.
The Beagle pack hunts fox, just like their much larger foxhound
cousins, but at a slower pace.
Many
adults try to join in the fun, but the policy is - they must first
be accompanied by a child. Eve, who is master of the pack, said,
"The land is always open to a polite child. They learn to
lead the pack, and when adults come, they follow behind the kids."
When
the American Academy of Equine Art was founded in 1980, Eve was
selected as founding member to be part of a core group of important
sporting artists to assist in the forming of the organization.
"So
many young people needed a center for sporting art," noted
Eve.
Eve
worked with nine other noted painters and sculptors including
Jean Bowman, Richard Stone Reeves, Sam Savitt and Else Tuckerman.
The AAEA was modeled after the Royal Academy of England to teach
young artists, share creative ideas, and organize exhibits.
Eve
has embraced the call to action to preserve Virginia's hunt country.
As president of the Piedmont Environmental Council, she has been
a driving force behind halting the urban sprawl creeping toward
her beloved rolling fields and woodland.
On
your next visit the Library, don't be startled by the fox on the
front wall. He is a welcome presence to greet our members and
guests alike. |